2012
CTV, Pacific Avenue
2012 All living and nonliving things: people, forest, sea, spirits, stone, become one ephemeral, ever-shifting mass which is guided by the will of her song. Sampling, spectral analysis and resynthesis. 4-channel generative process. |
Probabilities (for string quartet):
Performed by the JACK Quartet
National Gallery of Art, Washington DC May 2012 Fragments of thirty string quartets spanning the history of the genre. Recombined, superimposed, and manipulated through indeterminate processes. |
Cut Up Fuck Up (for three performers)
Performed by Mariya Kaganskaya, Jennifer Wu, Tyler Eaton
UCSD Honors Composition Recital CPMC Recital Hall March 2012 Short, vaguely notated gestures. Aleatoric formal progression arising from the whims of the performers. |
Cumulative Failure (for electric guitar and electronics)
UCSD Honors Composition Recital
CPMC Recital Hall March 2012 One failed piece of music begets another. MIDI realization of an unfinished string quartet mangled with analog electronics and feedback. |
Glory is the Lamb
Performed by Diarmid Flatley, Nick Peterson, Jacob Sundstrom
UCSD Honors Composition Recital CPMC Recital Hall March 2012 Absurdist spectacle. A procession. A cup of coffee. A sacrifice. Glory is the Lamb! |
UCSC Seminar Room
2012 In response to Albert Camus' The Stranger. 25 masks which, when arranged together, take on the appearance of the roots of a tree entwined with earth. Frequency analysis, manipulation, and resynthesis of spoken text. |